Deauville, night and day. In this western-film backdrop a woman passes; between the Casino and the Hôtel Normandy a Mustang waits with its lights on. All the city's mythologies reflect in the rear-view mirror in a psychogeographic drift, a polysemous flight, a noir unfolding across from the port of Antifer and the lights of Le Havre - fifty-three colour photographs that the sea wind scatters like pieces of evidence.