Giacomo Brunelli stalks the streets of New York with his old film camera, often for ten hours a day, looking for characters and details that are adrift in time. His work has an air of nostalgia to it, and a film noir sensibility. The images are dark, shadowy, moody and a bit menacing—as if we're looking through the eyes of a night detective, a voyeur or a stalker. They provoke an unspoken narrative, offering up clues to an unknown mystery. True to his love of old things and old ways, Brunelli shoots with a 1962 Miranda camera and prints in his darkroom.