From his very first photograph in New York in 1936 to his recent work in the Alpilles forest, this monograph shows the wealth of Louis Stettner’s work. He links humanist photography to American street photography through a poetic, uncluttered vision of the world, from post-war Paris to the boiling city of New York, the beat generation of the East Village, the political protests of the 1970s and the series Workers. It also includes an interview and articles written for Camera 35.