A two-volume set whose title, like a bureaucratic code, marks but does not describe: 82 photographs are included in each volume. All the images date from the Second World War and none were taken by professional photographers. At the back of each volume the images are shown at actual size, like specimens, front and back; in the front sections the same images are enlarged so the viewer can travel inside them. The edit is a guidebook to the stratified emotions of our warlike nature: volume one glances at the temporal nature of material culture riding alongside conflict, volume two draws on the human cost.