This series is a kind of built and resurrected testament in which meanings and mixtures of a culture such as the Cuban one and of mixed and singular race are distilled, a series which delights even today in nostalgia and sustenance of an astonishing and worn-out ideal. I assemble landscapes, portraits, customs scenes or abstract motifs to reformulate that individual/social memory; to enrich that heritage often found within a Cuban family; and to offer a possible interstice that reminds us of who we are and how we see ourselves, away from the contemporary artistic debate.