A collection born from ten years of collaboration between the Belgian photographer Max Pinckers and the writer Hans Theys, who oversaw the photographic selection, the volume extrapolates the images from their original context to encourage the birth of new meanings. The publication also includes an essay by Theys, who analyzes Pinckers' work starting from some thoughts of Susan Sontag. According to Martin Parr: “In Max Pinckers' work we never really know whether what we see is staged or spontaneous, which is his great strength, and this book shows us that enigma with great conviction.”