With his first work, Borgo di Dio (1955), Enzo Sellerio entered with success the ranks of the masters of neorealist photography, but at the end of the 1950s his style changed radically. In 1960 he made the reportage Palermo. Ritratto di una città and two years later, with the large project I Paesi dell'Etna, he established himself definitively on the international photographic scene. The volume retraces his Sicilian work, between irony, composition and a deep knowledge of the island.