A selection of works from the Per Amor a l'Art Collection that proposes a journey through the history of photography and of the documentary style. From the thirties of the twentieth century, this way of representing the purest and most transparent reality evolves, integrating into artistic photography and moving towards a series of conceptual works that revisit the idea of the archive. The book brings together the diverse views of fundamental authors, among them Walker Evans, Manuel Álvarez Bravo, Helen Levitt, Louis Faurer, Robert Frank, Ricardo Rangel, Garry Winogrand, Susan Meiselas, Lee Friedlander and David Goldblatt, who not only aspire to reflect reality but reflect on its veracity, its staging and the concept of seriality.