Describing the territories of waiting, enclaves where modern societies and their identities are tested, is to take the side of a hollow look, which favors the observation of liminal situations, the edges of politics. The sensitive photography of Assaf Shoshan tells precisely their births, their survivals and their singular choreographies in the desert landscapes of N'guev.

In the universe of Assaf Shoshan, man is crossed by the landscape as the landscape is crossed by man: they merge and merge to give birth to hybrid concretions.