A special edition issue curated, designed and published by AVARIE, Paris, and Labor Neunzehn, Berlin. It accompanies the KAMERA programme while remaining an independent object to collect. The central idea that directs the montage of these small volumes is the interplay between addition and subtraction: a missing image from the projection, or an unreleased second taken from an artist's work, expanded over twenty-four pages, with a piece removed directly from the show enclosed in every copy. The editing sets up a dialogue between frames and performed writings drawn from texts, scripts, storyboards and notes, so that the exhibition is extended into a physical space.

KAMERA is a programme of experimental moving images and printed matter held in a former GDR building in Berlin. Each event shows a retrospective of one artist over four days, alongside a small display of their publications or works on paper, and sets out to foster a critical dialogue between different formats.

Fascinated by the intersection of visual art and cinema, Helga Fanderl makes short poetic reels that evoke intense and sensitive experiences of the real world. Using a small hand-held Super 8 camera, she creates responses to her own perceptions, weaving imagery and emotion into dense rhythmic patterns solely through in-camera editing. She presents silent work in the form of compositions, crafting unique programmes for site-specific personal projections and turning rooms into temporary cinemas.