From the cultivation of lavandin in the Luberon to the frontality of the Aravis range, from the dune cords of Morocco to the erect bamboos of Anduze, Arnaud Vareille explores the limits of all these landscapes of his. In a subtle shift of the gaze he restores only a blurred yet distinct vision. On the verge of their own dissolution, the images would have been nothing more than obsolete clichés if they did not provoke an effort of accommodation. The sensation to which this succession of views invites oscillates between figuration and abstraction.