In contemporary warfare drones are increasingly used as tools of control, surveillance and repression, and are becoming ever more sophisticated. Through a selection of pictures collected from various channels active in most modern conflicts, from Syria and Libya to Mali, Central Africa and Ukraine, the work questions the ways in which war is represented: where journalistic pictures are often framed, if not suppressed, by the warring parties and tend to lose relevance, they are gradually being replaced by other kinds of imagery.