Winner of the LUR Essay Prize 2021. Why are images wounded? What or who opened this wound? Where are they to be found? The digital world and screens have generated new sensibilities that require us to find new ways of relating to images, new ways of overcoming their flatness. Javier Iáñez and Manuel Padín invite us to speculate on the possibilities offered by images in the post-photographic era. The superabundance of images and their fast, inattentive consumption call for a survival manual to learn how to dive into the depths of the audiovisual oceans that flood our contemporary landscape.